hello

double-tequila-squared:wolfgang these past two seasons: couldn’t stand to see kala with rajan,...

Tue, 26 Jun 2018 05:50:14 -0400

wolfgang these past two seasons: couldn’t stand to see kala with rajan, always looked away from them, was sick with jealousy and drinking after their wedding, was only cheerful around rajan once after having literally fucked his wife the night before
wolfgang in the finale: somehow has no problem splitting the woman he loves with her husband and being the third party to their marriage (because they are clearly a couple and he is… the third part. which he has no problem with.)
kala these past two seasons: loved and respected rajan for being a good person but was never in love with him, only married him out of duty and kindness, acted like it was a struggle to show him affection more than once, was about to leave rajan to be with wolfgang, is also very clearly somewhere in the scope of demisexual
kala in the finale: somehow totally okay with starting a poly relationship with the man she’s been in love for the past two years and and the man she’s tolerated the past two years, suddenly in love with rajan, jumps straight into bed with them
kalagang fans watching this: ????

chalamettimothees: Call Me By Your Name: Commentary with...

Tue, 26 Jun 2018 05:47:04 -0400

chalamettimothees:

Call Me By Your Name: Commentary with Timothée Chalamet and Michael Stuhlbarg

bonus:

broadwaytheanimatedseries: trashfirefallon: validcriticism: trashfirefallon: validcriticism: tr...

Mon, 25 Jun 2018 19:50:23 -0400

broadwaytheanimatedseries:

trashfirefallon:

validcriticism:

trashfirefallon:

validcriticism:

trashfirefallon:

trashfirefallon:

trashfirefallon:

trashfirefallon:

trashfirefallon:

Airports are fucking weird. Like I’m dressed like it’s ‘95 drinking wine and there’s a dude in a three pieced suit next to me, someone in pajamas, someone who looks like they’re going to the gym after this, and like a million button up shirts.

Update. I’m hammered.

Second update: I’m sober now but very fucking tired and in a different airport.

Additionally: I have no idea where the fuck I am

Important information: I’m fairly sure Douglas Adams was just fucking paged??? What the hell???

Have you checked if you’re alive?

Buddy I haven’t cared about blood pumping through my veins since 1920. You just gotta move on and do your own thing.

So you’re saying there’s a chance you’re tumblring your ‘airport’ adventures from the afterlife?

im saying it doesnt matter because i have access to the internet

This entire thread is a big ass mood

hidden-inside-of-you: If Kala truly had equal feelings for both Wolfgang and Rajan, then polyamory...

Sun, 24 Jun 2018 15:42:40 -0400

hidden-inside-of-you:

If Kala truly had equal feelings for both Wolfgang and Rajan, then polyamory would have been a compelling, empowering choice. The fact is, Kala loved Wolfgang and only cared for Rajan. She has said “I love you” only to Wolfgang. The only person she’s shown a desire to be with romantically and sexually is Wolfgang. While she makes it clear she doesn’t want to hurt Rajan, this is not in any way equatable with the deep, enduring love shown between her and Wolfgang.
There was never a love triangle in Seasons 1 and 2. The choice Kala had to make was not between men. It was between duty and self.
She was denied the opportunity to choose what life she wanted, and I find this offensive and unacceptable. This is a woman who has battled her whole life with the expectations society has for her. Choosing to be with Wolfgang would have been an empowering response to these expectations. Choosing to be with both men implied that it was important for her to satisfy her duties to Rajan and her desire for Wolfgang – this isn’t something that is healthy, let alone empowering.
This arc destroyed Kala as a character, Kalagang as a couple, and erased the important representation that Kala provided.

Scandinavian languages masterpost

Sun, 24 Jun 2018 05:52:02 -0400

useless-scandinaviafacts:

DANISH

Websites

Ordnet
MyLanguages
Dansk her og nu
Netdansk
VFS
Meet the Danes
Duolingo
Speak Danish
Babbel
101languages
IE Languages
IE Languages - General words and phrases

TV shows

Broen
Forbrydelsen
Borgen
Rita
The Team
Heartless
Norskov
Arvingerne
Den som dræber
Klovn
Drengene fra Angora
Paradise Hotel Danmark

News

Ekstrabladet
Jyllands-Posten
Politiken
Søndagsavisen

Movies

Jagten (2012)
En kongelig affære (2012)
En chance til (2014)
Hævnen (2010)
Festen (1998)
Fasandræberne (2014)

Music

Carl Nielsen
Oh Land
Anne Gadegaard
Basim
Agnes Obel
Lars Ulrich
Medina
Anti-Social Media
MØ
Lukas Graham

NORWEGIAN

Websites

NTNU
101languages
Loecsen
Babbel
Omniglot
IE languages
NRK TV
Duolingo
Gramatikk.com
Nynorsk Senter
Lexin | Bildteman | Bokmål & Nynorsk Picture Dictionary
Book2 | English-Norwegian Audio Course
Klartale

TV shows

Lilyhammer
Okkupert
Modus
Dag
Frikjent
Mamon
Kampen for tilværelsen
Neste sommer
Jul i Blåfjell
Helt perfekt
I kveld med Ylvis
Øyevitne

News

VG
NRK
Dagladet
Morgenbladet
Bergens Tidende

Movies

Bølgen (2015)
Kon-Tiki (2012)
Trolljegeren (2010)
Hodejegerne (2011)
Død snø (2009)
Død snø 2 (2014)
Fritt vilt (2006)
Fritt vilt 2 (2008)
Fritt vilt 3 (2010)
Max Manus (2008)
Villmark (2003)
Varg Veum (2007-2012)

Music

Susanne Sundfør
Alexander Rybak
Ylvis
DeLillos
Bertine Zetlitz
Bobbysocks
Jarle Bernhoft
Lene Marlin
Marie Mena
Sissel Kyrkjebø
Marit Larsen
Nico & Vinz
Lars Vaular
Maria Arredondo
Vassangutane
Einherjer
Enslaved
Kampfar
Taake
Vreid
Windir
Mayhem
Emperor
Satyricon
Darkthrone
1349
Gorgoroth
Immortal
Kaptein Sabeltann
Tsjuder
Wardruna

Other stuff

Pronunciation Guide
Språkrådet
Kaleido | Lek med språket

SWEDISH

Websites

Duolingo
Babbel
IE Languages
LiveMocha
101languages

TV shows

Bron
Beck
Wallander
Solsidan
Oskyldigt dömd
Maria Wern
Svenska Hollywoodfruar
Kontoret
Modus
Äkta människor
Ögonvittnet
Welcome to Sweden

News

Aftonbladet
Expressen
Dagen
Jönköpings-Posten
Sydsvenskan

Movies

Män som hatar kvinnor (2009)
Låt den rätta komma in (2008)
Flickan som lekte med elden (2009)
Kyss mig (2009)
Ronja (1981)
Hundraåringen som klev ut genom fönstret och försvann (2013)

Music

Avicii
Lykke Li
Eric Saade
Loreen
Tove Lo
Robin
Basshunter
ABBA
Bjørn Afzelius

Other stuff

List of nouns with vowel change (umlaut) in the plural.
Some general rules for forming the plural of nouns
Swedish-English false friends
Words for relatives
‘Du’ and ‘ni’
The gender neutral pronoun hen
Tycka, tänka and tro, what’s the difference?
Infinitives with or without att
Locations
Some cases of nouns without an article
Professions and similar without an article
Speaking about body parts in Swedish
Deponent verbs
En or ett – some tendencies
Simple present vs present progressive
The det är construction - how to start talking about things
Introduction to Swedish word order
A guide to pronunciation

Here is also a nice video that teaches you the most basic Scandinavian phrases in all three languages at the same time.

I’ll continue to expand this list when I encounter more material I find suitable. If you need help finding a place to watch the TV shows/movies, send me a message and I’ll help you.
Feel free to propose suggestions for this list :)

auselysium: foryou-insilence: dekaohtoura: A Cmbyn fan took...

Sun, 24 Jun 2018 03:27:14 -0400

auselysium:

foryou-insilence:

dekaohtoura:

A Cmbyn fan took a photo of two old men outside the Press shop in Crema writing ‘Elio and Oliver at old age’. I think this is very touching.
*credit to the fan*

This makes me want to cry.

Let it be so. ❤❤😭😭

THE MOST INTERESTING INDIAN FILMS RELEASED IN THE YEAR OF 2017

Sat, 23 Jun 2018 02:38:05 -0400

all-brown-everything:

Another year another list, eh? Sorry I’m a few days late but I am finding it increasingly hard to write about cinema. What is there left for me (or anyone) to really say? The films in these lists of mine are almost always rooted in working-class or subaltern politics (even if only in some small way), fraught with intense emotional and sexual character conflicts, but still imbued with the musical aroma of commercial Indian cinema. So looking back on 2017, I no longer find it a marvel that India (and Pakistan) continues to create this curiously poetic brand of cinema that you can’t find in any other film industry. I just feel happy, fulfilled and excited to see what strange creatures 2018 can throw up. Enjoy!

10. Solo
An undeniably ridiculous film where four short stories, shot in four different styles, each end with the most overblown, left-field, mind-melting twists you could possibly fathom (even one involving a great bit of comedy incest). Though it’s impossible to say if the filmmaker intended it to be this hilarious, one feels lucky that Indian cinema still has auteurs who dare to challenge and assess the grammar of cinema itself (including a certain Anurag Basu, whose film Jagga Jasoos unfortunately didn’t find space in this list). Sometimes they fail, sometimes they soar and, in the case of Solo, sometimes they just show you a really great time.

9. Thupparivaalan
It’s never been more thrilling to see an artist like Mysskin give up experimentation. Now that his years of throwing everything at the camera and seeing what sticks have ended, he is focusing on making great narrative films, that just happen to be full of his odd motifs and auteurial obsessions. This Tamil Sherlock-esque thriller, which feels oddly like a period drama smacked in the middle of the modern day’s claustrophobic shopping-center culture, seems to be interested in the transfer of wealth, the exchange of money for humanitarian services; the poor girl who becomes a servant to repent for her pick-pocketing, the privileged child who hands over a huge sack of pocket money to a grown man, the group of disheveled street kids who have notes thrown out to them, hands aloft, after they dig a deep hole on a beach for a curious detective. This is a film about compassion, about finding help from fellow humans in the midst of capitalism’s all-encompassing crush. There’s also some kung-fu, some disembodied limbs in a fridge…and I think I even spotted a saree with a yellow trim. Mysskin will be Mysskin.

8. Karsandas Pay & Use
2016 was without a doubt the year that brave films about caste defined Indian movies, but this year we had another worthy addition. In a story that could only come from regional cinema, a man who owns a public toilet purposefully blocks a domestic latrine so that the family’s beautiful daughter will have to come and shit in his fine establishment every day. This may not sound like a recipe for political statements on the nature of caste (and indeed there are a lot of great poo jokes throughout), but the treatment of our most natural bodily product is, shamefully, one of the foundations of caste oppression. This film does through humour what Sairat and Kammattipaadam did with serious drama last year. And it’s a Gujarati film! Who cares about the death of Bollywood…

7. Oru Mexican Aparatha
Malayalam cinema continues to make great movies in its own curious genre it’s created over the last decade; films with incredibly detailed character arcs that focus on the mundanities of everyday life, with little “narrative” drive. In OMA, though the stakes appear high (two warring campus political parties violently contest elections in an Indian state where life and politics are one and the same), the detailing is in the people; their hopes and dreams, their fuck-ups, their friendships. Shot with a breakneck speed and intensity that doesn’t leave you looking at anything for very long but still leaves you with an understanding of every single character, big or small, perhaps the most radical thing about this overtly political film, is that it never discusses politics.

6. Punjab Nahi Jaungi
The first Pakistani film that has made it to one of these lists, but for good reason. Films from “emerging” (or more accurately “re-emerging”) film industries, especially in South Asia, seem to adopt certain tropes from popular cinema (ie. songs, melodrama, action) before understanding the craft in writing and direction that makes these tropes stick emotionally. Well the new Pakistani cinema has arrived, and Punjab Nahi Jaungi is a richly textured character epic, with a classic filmi love triangle that reflects modern Pakistani societal issues with great nuance and insight (feudal politics and values, class difference, the treatment of women, caste) without ever compromising its script. It’s no wonder that the “help me Durdana” dialogue became so iconic around the World this year; funny, pathetic, relatable, but also it’s a man begging his own cousin to have sex with him because he’s too horny to wait to marry the woman he loves. Like I said, brilliant characters with a lot of subtext.

5. Fidaa
In many ways Fidaa is nothing new or remarkable. An adequately directed melodrama (with a lot of Soap-style staging) about a spoiled NRI boy returning to his ancestral village, with some nice songs and green scenery. Yet like Punjabi Nahi Jaungi, the script rises above this. We believe these people, we understand them, and the filmi silliness that the movie throws at us in its second half works because of this. Then there is the most important ingredient that made Fidaa work for me: Sai Pallavi (I really love her a lot). The film revolves around her performance (and female POV), and she plays it with so much energy, so much care for her material, so much genuine conviction, you’d swear she wasn’t acting at all (the heartbreaking scene where she wears a western dress to impress the NRI crowd is one of many standouts). So while other elements may wobble around her, Sai Pallavi truly shines in one of the year’s most important and overlooked “female-orientated” (I hate that phrase) movies. Please don’t do a Nazriya and get married and disappear.
4. Nikka Zaildar 2
The first part in this series, though from the director of Angrej (my favourite Punjabi film ever made), was an excruciating rom-com with no energy and no purpose. Here, Simerjit Singh returns to the type of film-making of his best work. At first, NK2 appears to be a hugely populist slice of old-fashioned romantic melodrama. Then the film-making takes thrilling detours. A vintage Mohd. Sidiq and Ranjit Kaur duet is picturised on the lead actors. A 5-minute giddha sequence sees a group of village women reciting folk songs and dances on the bank of a river with location sound and zero production sparkle. The character motivations start to crumble; they become weak, fickle, human. Nikka Zaildar 2 has so much love for true Punjabi culture, for the ethics of real film-making, and I hope Simerjit Singh carries on making movies as understated yet thrilling as this one.

3. Meyaadha Maan
Another gorgeous movie that isn’t really about anything other than a bunch of fuck-ups trying to navigate life and love, with all the texture of a great piece of literature. The sense of place is all-encompassing, the dirty streets of north Madras coming alive in a flurry of masochistically re-appropriated Illaiyaraja songs and tumbling plastic water containers in garish bright colours. The sun beats down on the wide concrete roads, before the moonlight glints off whiskey bottles and vomit in shady government bars. The thick beards, the even thicker accents and slang, and the checkered shirt and lungi combos, every tiny details brings these people and their gloriously messy stories to life. There is a lot of darkness and melancholy too. A manipulative woman who uses sex as a way to torment her parents, a manipulative man who uses suicide as a threat to feel a sense of self-worth. This is a piece of film-making that makes us wince, laugh and celebrate how disgusting we all are deep down inside.
2. Arjun Reddy
Every year, there is a film in India that shakes the foundations of pop-culture. 2017 was the year of Arjun Reddy, the heartbroken bearded man-child who abuses opiates upstairs at a family party, cokes himself up before a court case, and pours ice down his trousers to cure a raging erection. A sexist film, told from the point of view of a huge asshole with little respect for women (or anyone really), with an under-written female lead, that still communicates great truth. Dirty, shameful truth but truth nonetheless. The film sweats with anger, aggression and repressed sexual energy. The moments of intimacy between the lead couple are more honest than a thousand Vikram Bhatt sex scenes, as they try to pin down how many hundreds of times they’ve done it, or sit around in their underwear eating post-coital pizza. You can smell the alcohol and weed and sweaty bedsheets, the aroma of youthful freedom. While perhaps nothing new to the Western world (and the self-destructive aashiq is a trope as old as India itself), the muckiness of Arjun Reddy, the drugs, the fucking, the foul language, combined with the unashamedly populist language of Indian cinema, makes it an exhilaratingly original bit of guilty madness.

1. Angamaly Diaries
A hard movie to love, to keep close to you and revisit like an old friend when you need a warm fuzzy feeling, but instead a movie to be in total utter awe of. It’s just about two rival gangs in the pig-meat business in small town Kerala acting like a bunch of knuckle-headed morons over the course of two hours, but you’d be hard-pressed to find another piece of work on Earth this year as alive and in love with the craft of cinema as Angamaly Diaries. Every camera movement is a marvel, every line of dialogue sparkles with intimate hilarity. The violent action sequences make you shudder (almost as much as the haunting pig squeals in the dirty abattoirs), the idiotic behaviour of these bored, uneducated men makes you cringe and laugh in equal measure, and then the closing 15 minutes; a breathtaking single-shot sequence that weaves in and out of a thundering religious parade, into the side streets and drinking dens of the town, tripping over washing lines and street dogs on the way, and then ending in a horrific yet ingenious death. It’s really something you have to see to believe. It makes me so happy that in 2018, after 3D and “4D”, virtual reality and a thousand other gimmicks have tried to steal our attention, there is still nothing as impressive as a filmmaker who just needs cameras and sound to make our jaws drop.

So those were my faves from 2017. Shout outs to A Death in the Gunj, Munna Michael, Aramm and Rangoon for also being brilliant, and my apologies to the Marathi and Bengali film industries for their shitty digital distribution that means I still miss many great films each year. I’d love to know what your picks are, and I’ll see you next year :)

tinybeep: me, begging on my knees, sobbing, voice raw, whispering quietly: please dear god let me...

Wed, 20 Jun 2018 14:45:40 -0400

tinybeep:

me, begging on my knees, sobbing, voice raw, whispering quietly: please dear god let me enjoy something in moderation

brain: OBSESSED OBSESSED OBSESSED OBSESSED OBSESSED OBSESSED OBSESSED OBSESSED

hidden-inside-of-you: No one is complaining about the poly relationship itself. We’re complaining...

Wed, 20 Jun 2018 14:42:06 -0400

hidden-inside-of-you:

No one is complaining about the poly relationship itself.
We’re complaining about the lack of continuity and the fact that the Special rejected two seasons of development. We’re complaining that Kala’s representation has been dashed. We’re complaining that Wolfgang, who has loved only Kala, suddenly accepted a poly relationship with a man he barely knows. We’re complaining about the implication that Kala and Wolfgang fell for Rajan out of gratitude. We’re complaining that there was no discussion between the three of them about what being together as a polyamorous couple would mean. If polyamory requires anything, it requires communication. Where was it?
Lana sacrificed the representation that Kala and Wolfgang provided, separately and as a couple, for inaccurate poly representation.
If this Special was truly for the fans, then Lana misjudged what we wanted. Sense8 was her creation, but we fought for the renewal. We fought for this Special. This show is not hers alone and we deserved better.
I am forever grateful for the show. My life is better because of it. But the finale was bullshit and we don’t have to accept it.

robbieamell: 120 Best Gay Themed Movies (1974–2017)

Tue, 19 Jun 2018 15:06:12 -0400

robbieamell:

120 Best Gay Themed Movies (1974–2017)

stuudytips: Hey Everyone! When I was younger, I used to read a...

Tue, 19 Jun 2018 15:01:45 -0400

stuudytips:

Hey Everyone! When I was younger, I used to read a ton. As a direct result of that, my writing and reading were on point. Recently, however, I haven’t been reading as much, and as a result, my writing isn’t as good as I want it to be (albeit, still pretty good). I’ve decided to read all the books on this list over the next 1 and a half years to get back into reading and to improve my writing. Enjoy! :)
1. To Kill A Mockingbird by Harper Lee
2. The Great Gatsby by F. Scott Fitzgerald
3. Pride and Prejudice by Jane Austen
4. Animal Farm by George Orwell
5. Jane Eyre by Charlotte Brontë
6. The Catcher in the Rye by JD Salinger
7. The Adventures of Huckleberry Finn by Mark Twain
8. Macbeth by William Shakespeare
9. Lord of the Flies by William Golding
10. Hamlet by William Shakespeare
11. Brave New World by Aldous Huxley
12. The Scarlet Letter by Nathaniel Hawthorne
13. Romeo and Juliet by William Shakespeare
14. A Tale of Two Cities by Charles Dickens
15. The Ecological Rift by John Bellamy Foster, Brett Clark, Richard York
16. This Changes Everything: Capitalism vs The Climate by Naomi Klein
17. Catch-22 by Joseph Heller
18. The Crucible by Arthur Miller
19. The Odyssey by Homer
20. The Red Badge of Courage by Stephen Crane
21. Wuthering Heights by Emily Brontë
22. Slaughterhouse-Five by Kurt Vonnegut
23. Robinson Crusoe by Daniel Defoe
24. The Canterbury Tales by Geoffrey Chaucer
25. The Stranger by Albert Camus
26. Frankenstein by Mary Shelly
27. The Grapes of Wrath by John Steinbeck
28. Beowulf by Unknown
29. The Systems View of Life: A Unifying Vision by Fritjof Capra, Luigi Luisi
30. All Quiet on the Western Front by Erich Maria Remarque
31. A Midsummer Night’s Dream by William Shakespeare
32. Heart of Darkness by Joseph Conrad
33. Treasure Island by Robert Louis Stevenson
34. The Glass Menagerie by Tennessee Williams
35. Faust: First Part by Johann Wolfgang von Goethe
36. Crime and Punishment by Fyodor Dostoyevsky
37. The Awakening by Kate Chopin
38. Candide by Voltaire
39. The Color Purple by Alice Walker
40. The Metamorphosis by Franz Kafka
41. Oedipus Rex by Sophocles
42. Uncle Tom’s Cabin by Harriet Beecher Stowe
43. Steppenwolf by Hermann Hesse
44. One Day in the Life of Ivan Denisovich by Aleksandr Solzhenitsyn
45. The Bell Jar by Slyvia Plath
46. The Call of the Wild by Jack London
47. Walden by Henry David Thoreau
48. Antigone by Sophocles
49. Things Fall Apart (The African Trilogy, #1) by Chinua Achebe
50. Gulliver’s Travels by Jonathan Swift
51. The Last of the Mohicans (The Leatherstocking Tales #2) by James Fenimore Cooper
52. Madame Bovary by Gustave Flaubert
53. Beloved by Toni Morrison
54. Vanity Fair by William Makepeace Thackeray
55. Selected Tales by Edgar Allen Poe
56. Fahrenheit 451 by Ray Bradbury
57. 1984 by George Orwell
58. Don Quixote by Miguel de Cervantes
59. The Sound and the Fury by William Faulkner
60. One Hundred Years of Solitude by Gabriel García Márquez
61. The Picture of Dorian Gray by Oscar Wilde
62. A Good Man is Hard to Find and Other Stories by Flannery O’Connor
63. Pygmalion by George Bernard Shaw
64. As I Lay Dying by William Faulkner
65. Invisible Man by Ralph Ellison
66. The Three Musketeers by Alexandre Dumas
67. A Doll’s House by Henrik Ibsen
68. Narrative of the Life of Frederick Douglass by Frederick Douglass
69. Tess of the D’Urbervilles by Thomas Hardy
70. A Farewell to Arms by Ernest Hemingway
71. A Portrait of the Artist as a Young Man by James Joyce
72. Waiting for Godot by Samuel Beckett
73. Moby-Dick; or, The Whale by Herman Melville
74. The Iliad by Homer
75. Inferno (The Divine Comedy #1) by Dante Alighieri
76. Babbitt by Sinclair Lewis
77. An American Tragedy by Theodore Dreiser
78. The History of Tom Jones, a Foundling by Henry Fielding
79. Long Day’s Journey into Night by Eugene O’Neill
80. War and Peace by Leo Tolstoy
81. Cyrano de Bergac by Edmond Rostand
82. The Hunchback of Notre-Dame by Victor Hugo
83. The Mill on the Floss by George Elliot
84. The Cherry Orchard by Anton Chekhov
85. Their Eyes Were Watching God by Zora Neale Hurston
86. Bartleby the Scrivener by Herman Melville
87. Doctor Zhivago by Boris Pasternak
88. The House of Mirth by Edith Wharton
89. Selected Essays by Ralph Waldo Emerson
90. Leaves of Grass by Walt Whitman
91. The Good Soldier by Ford Madox Ford
92. Call it Sleep by Henry Roth
93. Fathers and Sons by Ivan Turgenev
94. The Portrait of a Lady by Henry James
95. The Adventures of Augie March by Saul Bellow
96. A Death in the Family by James Agee
97. The Turn of the Screw by Henry James
98. The Magic Mountain by Thomas Mann
99. Go Tell It on the Mountain by James Baldwin
100. Death Comes for the Archbishop by Willa Carther
101. To the Lighthouse by Virginia Woolf

Reblog this post and add something only a Timmy stan would understand

Mon, 18 Jun 2018 19:25:27 -0400

foryou-insilence:

ladyblakeney25:

subjectivelyspeaking:

firewithfiredeux:

mafalda-knew:

eliospeaches:

I’m kidding, I’m kidding

UHMM OKAY STRIKE ME THE FUCK DOWN

Where’s Armie?

I mean, I MEEEAAAAAN..!

Peace and Love!

D O M E L A N D

jack-rowan: Xavier Dolan went OFF

Mon, 18 Jun 2018 18:22:01 -0400

jack-rowan:

Xavier Dolan went OFF

netflixsense8gifs: Amor vincit omnia.

Mon, 18 Jun 2018 03:52:03 -0400

netflixsense8gifs:

Amor vincit omnia.

statistics-statistics: Pages from the early script that match...

Mon, 18 Jun 2018 03:48:00 -0400

statistics-statistics:

Pages from the early script that match one of the deleted scenes.

quitemushroomlike: number 502 of things that i will absolutely...

Sun, 17 Jun 2018 20:08:49 -0400

quitemushroomlike:

number 502 of things that i will absolutely never ever get over

bitter-cherryy: “he was dyslexic, which meant he couldn’t learn...

Sun, 17 Jun 2018 20:07:03 -0400

bitter-cherryy:

“he was dyslexic, which meant he couldn’t learn two lines without making a mistake. that meant he had to understand what he said, to feel it. that gave him a certain strength. he never played a scene the same way twice. he was a restless presence.”

- george sluizer

rivjudephoenix: Q: How comfortable were you guys filming your...

Sun, 17 Jun 2018 20:05:27 -0400

rivjudephoenix:

Q: How comfortable were you guys filming your three-way sex scene with Udo?

River: Well, I really didn’t help matters. While we were doing our scene I said, “Just think, Keanu. Five hundred million of your fans will be watching this one day.” Like a stupid idiot. I made him feel completely self-conscious. But Keanu rose above it. Gus scolded me endlessly the night after.
Keanu: Did he really?
River: Yeah. He scolded the shit out of me. I almost cried. That was terrible of me. I was just trying to break the ice. You know, I thought it was humorous- I was trying to save Keanu from being freeze-framed by twelve-year-olds at home!
Keanu: Thanks, brother.

rivjudephoenix: In 1997, Van Sant was doing a reading at a...

Sun, 17 Jun 2018 20:03:52 -0400

rivjudephoenix:

In 1997, Van Sant was doing a reading at a bookstore from his novel Pink. (Dedicated to River, the book starred a thinly disguised version of him.) An audience member asked him who had hoisted River Phoenix’s body into the car
“I was hoping that viewers would project themselves into the film and decide for themselves who it was,” he told her. “Okay, then,” she replied. “Who picked him up in your version?” Van Sant paused. “In my version… in my version, I pick him up”
- Last Night at the Viper Room (2013)

rivjudephoenix: “During the first week of shooting (…) Keanu...

Sun, 17 Jun 2018 20:00:25 -0400

rivjudephoenix:

“During the first week of shooting (…) Keanu was ready to quit the film because he wasn’t feeling good about his performance (it turned out to be one of his all-time best) and River came into Keanu’s little hotel room, drunk from being in the bar with Udo Kier, and jumped on Keanu’s bed and pretended to be the Incredible Hulk, to make Keanu lighten up”
- James Franco (via Gus Van Sant)